片名:《從今天到明天》

類(lèi)型:喜劇片

上映時(shí)間:1997

上映地區(qū):法國(guó)

導(dǎo)演:達(dá)尼埃爾·于伊耶,讓-馬里·斯特勞布

主演:內(nèi)詳

集數(shù): 完結(jié)

語(yǔ)言:其它

喜劇片從今天到明天由演員內(nèi)詳精彩表演，從今天到明天講述了一段感人的故事。從今天到明天喜劇片由知名導(dǎo)演達(dá)尼埃爾·于伊耶,讓-馬里·斯特勞布指導(dǎo)拍攝，從今天到明天的影片鏡頭完美，從今天到明天的劇情千回百轉(zhuǎn)，從今天到明天的精彩片段膾炙人口，從今天到明天讓人夸夸其談。從今天到明天上映于1997年，從今天到明天在上映地區(qū)法國(guó)受到大家喜歡，而成為熱門(mén)電影。從今天到明天的評(píng)分達(dá)到7.0分，所以從今天到明天是一部?jī)?yōu)秀的喜劇片。

從今天到明天劇情講述了:Based on an unknown Sch?nberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Sch?nberg’s atonal score, performed here by 70 musicians. That Sch?nberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Sch?nberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Sch?nberg canon—and the film such a challenging and intriguing experience.。